Imperial Debris redirects critical focus from ruins as evidence of the past to "ruination" as the processes through which imperial power occupies the present. Ann Laura Stoler's introduction is a manifesto, a compelling call for postcolonial studies to expand its analytical scope to address the toxic but less perceptible corrosions and violent accruals of colonial aftermaths, a...(展开全部)

On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Crimp elaborates the new paradigm of postmodernism through analyses of art practices broadly conceived...(展开全部)

On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Crimp elaborates the new paradigm of postmodernism through analyses of art practices broadly conceived...(展开全部)

理查德·奥弗里（Richard Overy，1947—），国际知名战争史专家，英国国家学术院院士，欧洲科学与艺术学院院士，英国皇家历史学会会员，埃克塞特大学教授，剑桥大学博士后，曾任教于剑桥大学女王学院和伦敦国王学院。2001年，由于在战争史研究领域的贡献，他被美国军事史学会授予塞缪尔·艾略特·莫里森奖。他的主要研究方向是第二次世界大战史和20世纪世界史。 奥弗里著述颇丰，已出版20多部作品。其中，《独裁者们》荣获沃尔夫森历史奖和赫塞尔-蒂尔特曼历史奖，《轰炸战》入围坎迪尔历史奖决选名单。他的作品《二战图文史：战争历程完整实录》《二战爆发前十天》《第三帝国图文史：纳粹德国浮沉实录》已被引进国内。他还是《泰晤士世界历史》、《牛津二战史》和《〈纽约时报〉二战全纪实》这三部重磅作品的主编，这三部作品也已被引进国内。他的其他作品还有《盟国为何胜利》《俄国的战...(展开全部)

A thought-provoking and original reassessment of World War II, from Britain’s leading military historian Richard Overy sets out in Blood and Ruins to recast the way in which we view the Second World War and its origins and aftermath. As one of Britain’s most decorated and respected World War II historians, he argues that this was the “last imperial war,” with almost a century-...(展开全部)

Richard Overy sets out in Blood and Ruins to recast the way in which we view the Second World War and its origins and aftermath. He argues that this was the 'great imperial war', a violent end to almost a century of global imperial expansion which reached its peak in the ambitions of Italy, Germany and Japan in the 1930s and early 1940s, before descending into the largest and c...(展开全部)

Between 1991 and 2015, Josef Koudelka completed an epic journey across twenty countries bordering the Mediterranean, stopping at over 200 Greek and Roman archaeological sites, relentlessly researching the beauty of the ancient world. Before the Magnum photographer, nobody had attempted to make such a comprehensive photographic record of these artefacts with so much persistence ...(展开全部)

Between 1991 and 2015, Josef Koudelka completed an epic journey across twenty countries bordering the Mediterranean, stopping at over 200 Greek and Roman archaeological sites, relentlessly researching the beauty of the ancient world. Before the Magnum photographer, nobody had attempted to make such a comprehensive photographic record of these artefacts with so much persistence ...(展开全部)

When Rigg and his friends crossed the Wall between the only world they knew and a world they could not imagine, he hoped he was leading them to safety. But the dangers in this new wallfold are more difficult to see. Rigg, Umbo, and Param know that they cannot trust the expendable, Vadesh ? a machine shaped like a human, created to deceive ? but they are no longer certain that t...(展开全部)

奥森•斯科特•卡德是当今美国科幻界最炙手可热的人物之一。在美国科幻史上，从来没有人在两年内连续两次将“雨果”和“星云”两大科幻奖尽收囊中，直到卡德横空出世。1986年，他的《安德的游戏》囊括雨果奖、星云奖，1987年，其续集《死者代言人》再次包揽了这两个世界科幻文学的最高奖项。 2013年，其著名作品《安德的游戏》被搬上大银幕，再次引发世人卡德热潮。